Archive for the “Screenwriting From Iowa” Category


This morning I returned  some rental equipment to PC&E Atlanta and learned that Tyler Perry’s Studio wasn’t far away. So  heading south on I-285 back to Florida I made a slight detour to drive by Mr. Perry’s 200,000 square foot studio. As I took the above photo I recalled the Tyler Perry phrase “Super-Serving Your Niche”— […]

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Proving that all beautiful sunsets aren’t found at the beach I took the above picture yesterday in Villa Rica. I was in route yesterday from Orlando, Florida to a shoot in Athens, Alabama  when I pulled off Interstate 20 in Georgia between Atlanta and Birmingham because I was intrigued by the name of the historic […]

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From the book Script Tease by Dylan Callaghan: Question: What guides you through a story if you don’t outline? is it character or a certain voice? Diablo Cody: “I like to pick a theme. I know that sounds stupid. It’s not a super advanced technique. They pick a theme on Laverne and Shirley. I think about […]

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“Is there are difference between crows and blackbirds?” The Birds Since I mentioned coincidence in the post Screenwriting and Coincidence (2.0)  I’d like to add what could be called one of the biggest (blatant?) misuses of coincidence by a major director in a major film. When Alfred Hitchcock used coincidence in The Birds he didn’t […]

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“Is here are difference between crows and blackbirds?” The Birds Since I mentioned coincidence in the post Screenwriting and Coincidence (2.0)  I’d like to add what could be called one of the biggest misuses of coincidence by a major director in a major film. When Alfred Hitchcock used coincidence in The Birds he didn’t try […]

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Since much of the story of JAWS takes place over the Fourth of July weekend, it seems fitting on this Fourth of July weekend that on today’s repost Saturday I at least touch on the classic summer blockbuster movie. If you don’t have time to read the whole post, I’ve since found what I believe […]

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“Charlie don’t surf.” Lieutenant Colonel Bill Kilgore (Robert Duvall) in Apocalypse Now Screenplay by Francis Ford Coppola and John Milius This morning I took the above photo and decided to make it a challenge to use it as a springboard for a new post. How could I take a sunrise surfer shot and tie it […]

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Ain’t that America Something to see, baby Ain’t that America Home of the free, yeah Pink Houses/ John Mellencamp Proving once again that at this point in my life I’m a better photographer than screenwriter, I took this photo at sunrise today as this sea turtle was making its way back to the ocean after […]

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“A logline conveys the dramatic story of a screenplay in the most abbreviated manner possible.” Christopher Lockhart The Construction of a Logline (Get this free PDF.) Recently I was listening to Adam Levenberg’s podcast Official Screenwriting and he hit on the ever popular topic of writing loglines. Levenberg is the author of The Starter Screenplay and in […]

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Once upon a time most screenwriters used typewriters to write scripts. Though some still do, I would venture to guess that most screenplays are written on a computer these days. So a word of warning—the wite out test isn’t advisable on computers except in a metaphorical sense. Wite out being the white liquid that was […]

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