There was [Wizard of Oz actor] Bert Lahr sitting with the cast of his latest vehicle . . . Stash [Prager] introduced me, saying ‘This is Doc Simon. The kid’s written a funny play Bert.’ Bert looked at me an said quite earnestly, but still in that Cowardly Lion’s voice, ‘Is it about anything? If […]
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Author Archive
Aug
29
2018
![]() ![]() Neil Simon on Writing Through the PainPosted by: screenwritingfromiowa in Screenwriting From IowaThis exchange between playwright Neil Simon and Terry Gross is from a 1996 Fresh Air interview: GROSS: You have a theory that you write about in [your book Rewrite:A Memoir] that your mind doesn’t know, when you’re writing, that it’s only fiction. Your mind thinks you’re actually living through whatever you’re putting on paper. SIMON: […] “Did I relax and watch my boyhood ambitions being fulfilled before my eyes? Not if you were born in the Bronx, in the Depression and Jewish, you don’t.” Emmy, Tony and Pulitzer Prize-winner Neil Simon When I heard that playwright/screenwriter Neal Simon died over the weekend I thought back to when I read that back […] Yesterday producer Ted Hope (@tedhope.fanpage on Facebook) gave a nice shout-out to this blog, so I thought I’d use that to wrangle together 10 Hope-centric quotes from various places. Many are from his Hope for Film book. ‘A new and vibrant cinema’—Ted Hope ‘If I ran a film school …’ — Ted Hope You vs. […]
Aug
21
2018
![]() ![]() The Case for Making a Not So Good FilmPosted by: screenwritingfromiowa in Screenwriting From IowaI know there is a lot of noise and distractions out there— in regard to finding filmmaking information and inspiration—but I’m enjoying Ted Hope’s Facebook post recently. Here’s just a short excerpt from yesterday’s post. “To make a great film, you generally have to make a good one first — and to make the good […]
Aug
20
2018
![]() ![]() ‘It’s just storytelling’—Elizabeth Gabler (Helping Scott Frank Write the Past, Present, and Future)Posted by: screenwritingfromiowa in Screenwriting From Iowa“In the initial writing I’m just trying to crack the story and make the characters as interesting as I can, and make it feel like a movie story.” Scott Frank If you just look at three productions—Minority Report, Marley & Me, Godless— that Scott Frank’s worked on as a writer and/or director you’d have to […]
Aug
17
2018
![]() ![]() Kenya Barris—The $100 Million Dollar ManPosted by: screenwritingfromiowa in Screenwriting From IowaBack in the ’70s actor Lee Majors was The Six Million Dollar Man. I don’t know what $6 million dollars in 1974 would be worth today, but Kenya Barris’ $100 million dollar deal with Netflix makes him—if not bionic (like Lee Majors character)—quite a wealthy writer/producer by any measure. And Barris wasn’t hurting for coin. The […]
Aug
16
2018
![]() ![]() Aretha Franklin—A Lot of RespectPosted by: screenwritingfromiowa in Screenwriting From Iowa“I didn’t think my songs would become anthems for women. But I’m delighted. Women probably immediately feel compassion and relate to the lyrics. We can all learn a little something from each other, so whatever people can take and be inspired by where my music is concerned is great.” Aretha Franklin (1942—2018) Time interview
Aug
15
2018
![]() ![]() Spike Lee on Why You Have to Make Your Own MoviesPosted by: screenwritingfromiowa in Screenwriting From Iowa“You get tired of going to the movies and seeing stuff that you don’t want to see or not seeing the stuff you want to be dealt with. When the subject matter you love is not being done right, you have to make your own movies.” Writer/director Spike Lee (I don’t remember where I first […]
Aug
14
2018
![]() ![]() How Great Movies are Made (and why ‘The Godfather’ was Once a Pile of Spaghetti in the Editing Room)Posted by: screenwritingfromiowa in Screenwriting From Iowa“When we shoot these films, I don’t move my lips very much. I keep my mouth kind of closed so that when I see the film before we finish it, I can change the dialogue and make it better.” Marlon Brando during ADR session for The Godfather (via editor Walter Murch) “There’s a movie you […] |