Archive for July, 2020

“Any writer that’s listening to me right now, you’ll gain a lot more knowledge by studying editing than you will by studying screenwriting. Screenwriting is something inside of you, it’s what you’re going to do. It’s going to be dictated by so many other things. Watch how movies are built. That’s where it really comes […]

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“Prep is the movie you want to make. Production is the movie you think you’re making. And post is the movie you made.” —Writer/director Christopher McQuarrie (Mission: Impossible—Fallout) The Inside Pitch Facebook live interview with Christopher Lockhart 7/11/2020

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Today’s post actually uses more than twice as many letters in the title than in the definition of story according to one Oscar-winner: “Story is an emotional journey. That’s all it is.” —Christopher McQuarrie (The Usual Suspects, Mission: Impossible—Fallout) The Inside Pitch Facebook live interview with Christopher Lockhart 7/11/2020 Since McQuarrie has made seven films […]

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Here’s an excerpt from the WTF with Marc Maron podcast, episode 1129. Marc Maron:  I can clearly see watching [Don] Rickles–whether he’s just doing jokes or however good his timing is, or whatever—that there are moments there where I’m like this is a man filled with rage. Jerry Seinfeld: I do think we could come […]

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I needed a jolt after the July 4th weekend to get back in the saddle and I found it yesterday listening to Marc Maron’s interviews with Carl Reiner (2013) and Jerry Seinfeld (2020). It was like a mini-lesson in peak history in American comedy for the past 70 years. Before Seinfeld became the most financially […]

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I needed a jolt after the July 4th weekend to get back in the saddle and I found it yesterday listening to Marc Maron’s interviews with Carl Reiner (2013) and Jerry Seinfeld (2020). It was like a mini-lesson in peak history in American comedy for the past 70 years. Before Seinfeld became the most financially […]

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The following question and answer is from the Creative Screenwriting magazine article “Frank Darabont on The Green Mile” by Daniel Argent and Erik Bauer: Q. When it came down to translating The Green Mile into a screenplay, how did you put it together? Did you work with paradigms, three-act structures, reverse structures? Frank Darabont: I don’t think I’d […]

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