On this repost Saturday I’m reaching back to a post I just wrote two years ago. I know many people in the sporting world are in a football state of mind this week since the 2013 college football season began this week. But I’m in a baseball state of mind because I went to a […]
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“It doesn’t seem that long ago I had hopes of being the hot kid, selling my first story in ’51 when I was 25. I got on the cover of Newsweek in April 1985, and was seen as an overnight success after little more than thirty years.” Elmore Leonard 1998 Film Comment Interview with Patrick McGilligan P.S. […]
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“I got an idea for a movie.” Chili Palmer (John Travolta) Get Shorty As a rule [Scott] Frank says, he likes to avoid thinking about “theme” when writing a script (“The work can become pretentious or feel ‘built’”); but with a [Elmore] Leonard vehicle, a thematic idea can help pull together a lot of discursive […]
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Since today marks the 50th Anniversary of Martin Luther King’s “I have a Dream” speech given in Washington D.C. I thought I’d pull together many of the links related to Martin Luther King and black writers and filmmakers I’ve written about since I started this blog in 2008. The roots of this blog go back […]
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“[Screenwriting] was a chore [mostly] because you’ve got several bosses. You’re not just writing for yourself. I write for myself. I’m the only one I have to please. When I have to please a producer and a director and so on, then I’m just taking in writing, doing what they want me to do. There […]
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“After graduating in 2007 [University of Miami], I knew I wasn’t ready to move to LA. My chops as a writer weren’t sharp enough to survive the Hollywood meat grinder. I needed time to hone my craft, so I moved back to Boston and worked at an Italian restaurant delivering pizzas. The best part about […]
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On this repost Saturday I’m going to tap into a post I wrote several years ago where I quoted Elmore Leonard who passed away earlier this week. Here’s the post that originally ran in June of 2009: Finding time to write is one of the biggest struggles for those writers with jobs and a family. […]
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“When I wrote 3:10 to Yuma. I sold the original [short] story for $90, and then got $4,000 for the movie rights.” Elmore Leonard (Leonard did add that “a 5,000 word story was a hundred bucks. And in the early ’50s, that wasn’t bad.) “In 1961, Leonard quit his job at the ad agency to […]
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It’s fitting to follow yesterday’s post Elmore Leonard (1925—2013) with this exchange between Erik Bauer and Quentin Tarantino that is part of a larger interview that was first published in Creative Screenwriting magazine back in the January/February 1998 issue: Bauer: How exactly have Elmore Leonard’s books influenced your writing style? Tarantino: Well, when I was a […]
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“Characters are much more important to me—to my book— than plot.” Elmore Leonard Elmore Leonard and his work always embodied much of what I’ve tried to convey on this blog. He wrote more than forty novels, and his work showed up over seven decades in dozens of films and TV programs including Get Shorty, 3:10 […]
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